The construction of a performance from the tripartite model: Interpretive decisions applied to the song La Rosa y el Sauce

Resumo

This article has as object of research the song La Rosa y el Sauce, by the Argentine composer Carlos Guastavino (1912 - 2000).  The study uses the tripartite model of Nattiez (1945) aiming to assist the research and musical interpretive decisions of the present authors. In the conclusion, arguments are presented that indicate the insufficiency of the score as a total representation of the musical work and the important role of the performer in the sound materialization. 

DOI:https://doi.org/10.56238/sevenIIImulti2023-187