The construction of a performance from the tripartite model: Interpretive decisions applied to the song La Rosa y el Sauce

Authors

  • Gustavo Henrique Pinto
  • Viviana Matschulat
  • John Kennedy Pereira de Castro

Keywords:

Semiology of music, Singing, Piano, Musical Gesture, Musical interpretive decisions

Abstract

This article has as object of research the song La Rosa y el Sauce, by the Argentine composer Carlos Guastavino (1912 - 2000).  The study uses the tripartite model of Nattiez (1945) aiming to assist the research and musical interpretive decisions of the present authors. In the conclusion, arguments are presented that indicate the insufficiency of the score as a total representation of the musical work and the important role of the performer in the sound materialization. 

 

DOI:https://doi.org/10.56238/sevenIIImulti2023-187

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Published

2023-08-22

How to Cite

Pinto, G. H., Matschulat, V., & Castro , J. K. P. de. (2023). The construction of a performance from the tripartite model: Interpretive decisions applied to the song La Rosa y el Sauce. Caderno De ANAIS HOME. Retrieved from https://homepublishing.com.br/index.php/cadernodeanais/article/view/631

Issue

III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS

Section

Articles